On Gatekeepers

As you may have seen on Twitter this week, some of our stores are putting in a display of genuine Dark Crystal puppets, straight from Thra and from the BFI. And, having taken Isaac to see the BFI display over the summer holidays and been suitably struck with wonder and magic, it got me thinking… 

Skeksis Banquet, BFI

The Dark Crystal was one of those movies that introduced me to everything I loved. I was still in my teens, and I fell head over heels, transfixed by its beauty and by the sheer skill and artistry that had gone into putting it together. Thirty (cough) years later, being able to interact with it for real, and help to bring it to others… it’s everything I could ever have dreamed of doing.

On Twitter, @jaygooby then commented that he knew of many people in film and sfx who’d been introduced to their careers because of their love of the movie.

And so, I was thinking about gatekeepers.

Baffi the Fizzgig

What starts you on the path of loving genre? Which images, books, comics, films, characters, experiences opened that door for the first time? Maybe it was Discworld, or Harry Potter. Maybe it was Terminator, or The Matrix. When I was ten, my cousin lent me The Warlock of Firetop Mountain, (and I spent a whole summer lost in the sodding maze). And I know so many men and women, who not only loved the book as kids, but who are now introducing their own kids, in turn, to the same experience. 

Whatever those keys may be, they remain special. And much as some part of me is exasperated by the constant remakes that plague our every news outlet, somewhere, there’s still that teen who sat in the cinema – and who shivered when the urRu lifted their chant.