Writing with Pinterest

Above my writing desk is – has always been – a collage of images.  They’ve shifted and changed over the years, but the ideas have remained. Up there now is my world map, pictures of characters, creatures, settings and inspirations, my cover art. It reminds me to keep working.

And for years, when I’ve started a new chapter, I’ve downloaded a relevant image as my desktop background – something that gives me the setting or the mood of where the event is occurring. Shift my word file sideways, and I know where I am.

So what does in the internet bring us? Oh look, it brings us Pinterest.

Quite apart from the glorious prevarication of hunting out and storing images and telling yourself its work, it’s a perfect place for finding character, costume, setting… a thousand, thousand images, more darkness and more light than you can fit in your head, on your desktop, or your wall. It’s a fantastic place to discover your characters, and to record how they’d grow and change. And it’s a perfect place to construct a plot – to build yourself a literal storyboard that can follow how your narrative will diversify and grow.

It’s also a good place for discovering writing theory. Follow Jennifer Jones’s Writers’ Workshop or author Trisha Goyer for insight and wisdom, and Cat Rambo has one of the most astounding collections of beautiful and inspirational imagery, plus some solid writing help to boot. Publishers are getting on the brand-wagon, as well – Tor keep boards of book covers and tantalising snippets of marketing information.

Keep a page of your own stuff – as Ecko’s presence grows, I can hoard it like treasure, all in one place, and no-one actually really needs to know how stupidly scared and happy it all makes me…

Above all, use it to dream – use it to record what you dream. It’s where we all started with this writing lark.

One last thought though – and back to the subject of desktops and wallpapers… please Pinterest – can you let us make screen savers out of our boards?

Iain Banks and Kim Stanley Robinson

How does that saying go? I love it when a plan comes together?

This one is thanks to Rose at Orbit and Jon at the Brish Library, and it goes something like this…

Forbidden Planet and Orbit Books, in association with the British Library, are delighted to present a unique opportunity to hear two giants of the genre in conversation about 2012, the end of the world, and the future of science fiction. This event will take place in the Auditorium at the British Library.

Tickets £7.50, concessions £5. Doors open 3pm, for a 3:30 start and the event will be followed by a public signing from 5 – 6pm.

For tickets or more information, you can find the event on the FP website.

Conventions, it seems, aren’t the only things that are changing with the times :)

A Tale of Two New Cats

Last Tuesday, I adopted two cats. I’ve been missing moggie company since Lilith died – and was over the moon at finding that these two needed a home.

Upon arrival, they shot behind the chair and sofa respectively, but, poor beasties, they had no idea where they were or what they were doing there, so I made sure they had food and water and litter, and I left them alone. I also made sure that the catflap was closed.

Thursday morning, I was half-woken by the catflap hitting its nail. A moment later, I was fully woken by the sound of the flap opening and closing properly. It took a moment to register – then I was outside in my dressing gown and fitflops in the darkness and the wind and the hammering rain, trying to find them.

It’s funny the thoughts that go through your mind at half-one in the morning in a howling bloody monsoon – how the hell do I tell Angie that I’ve lost her cats? What do I tell my son? My family? Why didn’t I shut the kitchen door? And under it all: Poor little cats. They have no idea where they are, they don’t know to come to me for shelter or help. They’re panicked and lost and alone… and yes, of course I was in tears.

But all the horrified regret in the world doesn’t fix something that’s broken – I could find no cats. And a worried lack of sleep then followed.

In the morning, I was overwhelmed with relief to discover one cat actually still in the house – Coco was safely ensconced under the folding chair. Pixie, however, was – and is – nowhere to be found.

So, for the last four days I have been on the phone – the local vets, the animal shelters and hospitals, the Cats’ Protection people. I have been out putting flyers through people’s doors – and learned a whole new respect for the local postie. I have been trying to attach posters to lampposts in the teeth of the worst fucking April rainstorms we’ve ever seen. I’ve gone out again to put the posters back up where weather and wankers have torn them down. I’ve filled in website forms, hung bags of peed-in cat litter on the back doorhandle, and patrolled at five in the morning and half-ten at night, ratting a packet of Dreamies. I’ve met more neighbours in the last few days than I’ve met in the last few years…

…but still no cat.

In a way, it’s actually worse than losing a cat of my own (if you see what I mean) not only because the poor cat doesn’t know where she is, but because Angie trusted me with her, and I’ve let her get away. I’ve done everything I can to find her (the people systematically removing my posters, whoever they are, are leaving me in a storm of utter foot-stamp frustration) and I’m running out of options.

But I can’t stop. If I sit still I feel like I’ve abandoned the poor little thing to her fate. I’ll keep patrolling and keep putting those posters up until the cat comes back (or I find the motherfucker who’s moving them).

For the moment, there’s no more to say. Pixie is pictured above, she went missing on 26th April from 17 Grove Avenue, Sutton, Surrey – she has no idea where she is and she’s probably terrified. I think about her, and it makes me understand why people need to pray.

The good news is that Coco is settling well, he’s come out from under his chair and is eating and purring and playing as a happy cat should.

I just wish he hadn’t lost his friend – I think he worries about her too.

LOOSE!!

Ecko is loose in the wild. Lock up your flamethrowers!

Cheers for Titan Books who’re doing an absolutely storming job of getting his ass out there – initially at EasterCon, with samplers and badges and readings, oh my.

Reading in public for the first time scared the absolute bejesus out of me. Bless Cory Doctorow for a 30-second pep talk that proved invaluable – through even the mighty Captain Boing couldn’t save me from knees shaking so badly I had to lift my Mac off them (be easier when I have a book!) Thank you to everybody who turned up – and didn’t throw things.

The remainder of EasterCon involved a great deal of badge-pinning – onto anyone who’d stand still for long enough. And many of you were good enough to actually keep them in view. More than a few people came past the FP stall with compliments on the sampler – and I managed to sign my first proper official author-type signature for Paul McAuley.

(And you bet I’ll be watching eBay when the book comes out…)

I also managed to sign the MonQee – in the same room where the project was launched in ’08. For anyone who remembers that, it was a suitably surreal moment.

Apparently, Ecko samplers have also been seen out in the open at the London Book Fair this week – along with a whopping great poster up at the Titan Books stall. As Ecko’s flanked by Bats on one side and Kick-Ass on the other, I figure he’s in some pretty august company and he’ll behave himself – but you just never know.

Anyway, I have a scattered few badges and samplers left over. Not really enough to support an event – but if you want one, please holler!

 

 

 

EasterCon – The George Effect

You know how it is – when you’re at a Con, you do kind-of concoct the blog post in your head as you’re going along. (Or maybe that’s just a side-effect of being behind a table in the Dealers’ Room?) Either way, this one was going to be all about The George Effect. How GRRM was an absolutely lovely man – and about the effect that having Game of Thrones on prime-time TV, and then at the Con itself, had opened the doors to a whole new range of fans… fantasy becoming mainstream, new credibility and community, we know how it goes…

But hey, looks like David Barnett in the Guardian has done it for me.

Instead, there was a second thread to EasterCon, woven in with the first – and one that’s becoming more predominant with every event we’ve attended…

Costume.

Championed by the wondrously tea-making Doctor Geof, Steampunk, specifically, is becoming more than a thread, it’s becoming a full-on machine. Costuming has been loitering at Cons for decades, but it’s not about Trekkies any more – it has a new glamour and elegance, a full-on social involvement brought in precisely by the media that’s now representing our genre/s. Not only is George bringing in new fans, but the new expansion of the literary into the visual is opening events like EasterCon to a different swathe of people.

Rita’s absolutely right when she uses the word ‘inclusivity’ – this was an event that was all about the welcome. After the SFX Weekender, we were thinking about book conventions and how they’d have to adapt – and lo, here is EasterCon doing exactly that. The changes were obvious, even among the traders. More people, younger people, are attending and reading and and becoming involved.

I’ll talk about Ecko (you know I will!) but not here – this is the place for the ‘thank you’. This EasterCon was about the opening out of traditional social cliches and barriers…

George, genre, glamour and garment, I think we’ll look back at Olympus 2012 as a new beginning for us all.

 

 

 

Acquisition Announcement!

Titan Books to Publish Genre-Bending Debut Novel by Respected UK Science-Fiction and Fantasy Professional

Titan Books are delighted to announce the acquisition of worldwide rights to the extraordinary novel Ecko: Rising and its sequel by first time writer, Danie Ware.

Ware is the publicist and event organiser for cult entertainment retailer Forbidden Planet. She has been immersed in the science-fiction and fantasy community for the past decade, and has worked closely with a wide-range of genre authors. An early adopter of blogging, social media and a familiar face at conventions, she appears on panels as an expert on genre marketing and retailing.

Ecko: Rising is a unique genre-bending fantasy–sci-fi epic following a savage, gleefully cynical anti-hero. After awakening in a dimension-jumping inn to find himself immersed in his own sardonic fantasy world, Ecko joins a misfit cast of characters and strives to conquer his deepest fears and save the world from extinction. Danie Ware says, “I’ve been writing fantasy since my twenties, and Ecko has been a new set of eyes with which to see the traditional genre. Working with Titan has been fantastic as they have really come on board with both the concept and the project, and have brought an original idea to life.”

Ecko: Rising is scheduled for publication in the UK in autumn 2012, and the US in 2013. Fiction editor Cath Trechman bought the rights from The Cooke Agency. She says, “Danie has created an extraordinary fantasy world, filled with rich, vibrant characters, and a story that is thrilling, compelling and wonderfully unpredictable. We at Titan feel very lucky to have found such a remarkable talent.”

Ecko: Rising will be launched at the Olympus EasterCon 2012 with an exclusive sampler and a reading from Danie Ware at 1pm on Friday April 6th in room 12 (Tetworth). She will also be on a panel discussing promoting yourself online on Sunday at 10am.

For press please contact: Sophie Calder – sophie.calder@titanemail.com / 020 7803 1906

(I love the phrase genre-bending. Just saying!)

Reading? At EasterCon?

Yes, I will be reading at EasterCon!

It’s at 1:00pm on the Friday, so will be unfortified by alcohol (though possibly not by cake). Please come along, listen, point and laugh, and throw things.

I figure, after Rock Band…

I’ll be sharing the hour with Emma Newman, reading from 20 Years Later – so please bring enough ammunition for both of us!

There will also be panelling, a little later on during the weekend – this one equally unfortified by booze (unless you count the glasses guzzled on the previous evening)…

If you’re awake, I will be moderating the ‘promoting yourself online’ panel with Elspeth Cooper, Paul Cornell, Tom Hunter and Simon Spanton – all of us bright-eyed and busy-tailed at 10am on Sunday morning.

Otherwise, you will find me tied to the Forbidden Planet dealers’ table, as usual, or in the bar!

Oh – and don’t forget to ask us for a Bingo card. Convention Bingo – we’ve been threatening this for at least a year and now we’re committed…

Unexpected Treasure

London is a tessellation of ages – layers and twists of time that wind around and through each other, rising to sheer glass heights and falling again to uncover sudden surprises.

You find them when you least expect to.

St Dunstan-in-the-East dates from 1100, once a CofE parish church on St Dunstan’s Hill, halfway between London Bridge and the Tower. I found it purely by accident and stood there, transfixed, watching the suits eat their lunch on the benches and the sun reflect rom the glittering sides of the Gherkin, which rises above the walls.

And then, while roaming Hyde Park in search of eggs, I found fairies – the stump of the Elfin Oak itself is every bit as old as St. Dunstan’s, though its inhabitants weren’t added until ’77.

And if that’s not enough fascinating but useless information, the inside cover of Pink Floyd’s 1969 album Ummagumma features a picture of David Gilmour stood in front of it…

You never realise how astounding the city is until you walk. The centre of London is not as big, or as confusing, as you expect. And there are wonders waiting.

Seriously, use your feet. And your eyes.

Sure as Eggs

There are eggs all over London.

I’m not actually doing the hunt (what the fuck would I do with a Faberge Egg anyway?), but I do walk a lot and I stop to admire them when I see them. They’re absolutely beautiful, and, like the elephants last summer, they’re an amazing way to showcase artists and to help a charitable cause.

It got me thinking about the really sharp graffiti marketing that Orbit did for Simon Morden’s Metrozone series – there must be a way that authors can do this too. Sentence fragments on billboards, on tube trains, treasure hunts to piece them together – I don’t know.

But sure as eggs are – well – eggs, there has got to be a way to make this work for us too…